2023.11.04-11.05【上海】舞蹈剧场《异想客厅》以色列大师级编导茵芭·平托作品-第22届中国上海国际艺术节参演剧（节）目
时间：2023.11.04-11.05
场馆：上海市 | 上海国际舞蹈中心-大剧场
票价：180-680 元
演出介绍
第22届中国上海国际艺术节参演剧（节）目
以色列大师级编导茵芭·平托作品
舞蹈剧场《异想客厅》
演出时间：2023年11月4日19:30
2023年11月5日14:00
演出地点：上海国际舞蹈中心 大剧场
编导：茵芭·平托（以色列）
出品方：苏珊娜·德拉尔艺术中心
演出时长：约60分钟
演出票价：180、280、380、480、580、680元
咨询热线：021-52990372/52995821
友情提示：
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以色列四大舞团之一“平头舞团”创办者
大师级编导茵芭·平托作品，全国只此一站
幽默、奇幻、戏剧性，各大艺术节特邀上演
一桌一椅、一灯一墙，万物皆可与你共舞
两位舞者、一间客厅，邀你步入异想世界
妙趣横生，以奇趣肢体呈现天才的想象力
舞台上做个“白日梦”，邀你“环游客厅”
【作品介绍】
舞蹈剧场《异想客厅》是以色列大师级编舞茵芭·平托（Inbal Pinto）创作的作品，作品由苏珊娜·德拉尔艺术中心出品。苏珊娜·德拉尔艺术中心曾经培养了巴切瓦舞团、赫法什·谢赫特舞团等全世界最顶尖的现代舞团，是以色列现代舞的摇篮。
居家期间，茵芭·平托突发奇想开启了作品创作，用“光怪陆离”的肢体语汇掀开日常生活下的奇幻面貌。通过肢体与一桌一椅的互动，探问人与外在环境及物件的关系，展现了超乎想象的现实，模糊了人与物的界限。
作品中女舞者与客厅家具“独”舞之余，搭档男舞者又以意想不到的方式加入，演化为双人舞，带观者重新审视日常生活。
【作品看点】
以色列四大舞团之一“平头舞团”创办者
大师级编导茵芭·平托作品，全国只此一站
1992年，茵芭·平托以自己的名字创办了平托舞团（又译“平头舞团”）。数十年间她的作品获奖无数，《裹》《赋格》更是成为了以色列舞蹈史上里程碑式的作品，在世界范围内得到诸多好评。而平托舞团也成为与巴切瓦舞团、基布兹舞团、维帝戈舞团齐名的以色列的四大舞团。2002年起，平托与编导阿夫沙洛姆·波拉克（Avshalom Pollak）合作组建新舞团。2018年，茵芭·平托离开舞团，作为独立艺术家持续创作。
作为全能型编导，茵芭·平托在《异想客厅》中包揽了编导、服装设计、舞美设计以及舞台上整面墙的全部墙绘，完美呈现“茵芭美学”。
一桌一椅、一灯一墙，万物皆可与你共舞
两位舞者、一间客厅，邀你步入异想世界
你的客厅里有什么？桌、椅、灯、墙。
在这部作品里，茵芭将一个以色列小家的普通客厅呈现在舞台上。在这部充满奇异和梦幻元素的作品中，女舞者孤身一人，独对墙壁，闷得发慌，渐渐对身边环境和物件产生奇想，仿佛一切都可以共舞。她与桌椅板凳甚至墙面起舞，又和幻想中突然出现在客厅里的某人起舞。跟着舞蹈，我们共同浸入一个异想的世界。
妙趣横生，以奇趣肢体呈现天才的想象力
在想象里起舞，这是每个人的“白日梦”
如同孩子们打开衣橱走进纳尼亚，巫师们穿过九又四分之三站台撞进魔法世界，大师们的创造力在于：他们能够在现实中撕开一道口子，让想象的光透进来。
作为以色列大师级的编导，茵芭·平托的作品却始终有着幽默、奇幻甚至是童趣的一面。在这部《异想客厅》里，她更是打开超大脑洞，在小小客厅里展现大师令人惊叹的想象力。
作品的开头，女舞者似睡非睡似醒非醒，整场演出仿佛是在剧场的舞台上，为每位观众造出了一场妙趣横生的“白日梦”。
揭开日常生活意想不到的面貌
探问人与外在环境和物件的关系
通过舞台设计、道具和灯光效果等元素，创造出一个奇幻而梦幻的世界。观众可以看到平凡的家居场景被赋予了新的意义和想象力，家具、物件和空间变得活灵活现，仿佛有自己的情感和生命力。舞者们与环境和物件相互作用，展现出一种微妙而复杂的关系，引发观众对日常生活中的细节和环境的重新思考。
【主创介绍】
编舞、服装设计、舞台设计、墙绘：茵芭·平托
茵芭·平托（Inbal Pinto）是一位以色列编舞家、导演、舞台和服装设计师，于1992年成立平头舞团，并担任艺术总监直到2018年。在这些年里，她创作了独特且备受赞誉的舞蹈表演作品。她的作品扩展了舞蹈领域的界限，创造了一个舞蹈剧场的世界，这也成为了她的标志。平托的几部作品，如《裹》《赋格》等，均是以色列舞蹈历史上的里程碑，并在全球范围内广受好评。2002年，她开始与阿夫沙隆·波拉克（Avshalom Pollak）合作，除共同创作许多舞蹈作品外，他们还在世界各地编舞、导演和设计歌剧和音乐剧。自2018年起，Pinto作为一名独立艺术家工作，与阿米尔·克利格（Amir Kliger）共同执导并参与创作基于村上春树小说改编的音乐剧《奇鸟行状录》，作品在东京上演。
舞者：莫兰·穆勒
莫兰·穆勒（Moran Muller）从2014年到2019年，在平托舞团中担任舞者。如今，她除与茵芭·平托合作之外，还在艾姚•达东的SOL舞团中跳舞。
舞者：伊塔玛·塞鲁西
伊塔玛·塞鲁西（Itamar Serussi）硕士毕业于荷兰艺术学院的编舞专业。1998年他进入巴切瓦青年舞团，并于2000年进入巴切瓦舞团，还为荷兰、罗马、美国、奥地利、丹麦和德国的多个舞团编舞。
作曲：玛雅·贝尔西兹曼
玛雅·贝尔西兹曼是以色列的歌手、大提琴手、作曲家和编曲家。在过去的二十年里，她活跃在以色列各大舞台上，并与许多艺术家合作作曲。
【主创名单】
编舞、服装设计、舞台设计、墙绘：茵芭·平托
舞者：莫兰·穆勒，伊塔玛·塞鲁西
作曲：玛雅·贝尔西兹曼
其他音乐：
阿部海太郎《山上的哈瓦那》（钢琴独奏）
舒伯特《降E大调钢琴三重奏第100号》
罗温·艾金森（憨豆先生）《实用酒精入门指南》
斯特凡·瓦兰贝尔作曲，玛雅·贝尔西兹曼改编《法达小酒馆》
灯光设计：塔玛尔·奥尔
【购票须知】
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3.入场时间：为避免演出前观众大量聚集，演出提前60分钟可进入剧场，提前30分钟可进入观众席；
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THE 22ND CHINA SHANGHAI INTERNATIONAL ARTS FESTIVAL
LIVING ROOM
An Original Prodction of Suzanne Dellal Centre
Date: 19:30, Nov 4, 2023
14:00, Aug 5, 2023
Venue: SIDC Grand Theater
Choreography, Costume, Set Design, Wall Drawing: Inbal Pinto
An Original production of Suzanne Dellal Centre
Length: Approximately 60 minutes
Ticket: 180/280/380/480/580/680 RMB
Hotline: 021-52990372/52995821
A masterpiece by Inbal Pinto, this time only to be staged at SIDC.
Infused with humor, fantasy, and dramatic flair, it receives exclusive invitations to major dance festivals.
In a setting of one table, one chair, a single lamp, and a solitary wall, everything can lead you to a dance.
Two gifted dancers and a living room beckon you to enter the realm of imagination.
Delightfully whimsical, they present genius creativity through their captivating bodily expressions.
Embark on a “daydream” on the stage and let yourself “wander through the living room.”
About the Work
Living Room is Inbal Pinto’s newest work and original production of Suzanne Dellal Centre.
The identity of objects, situations and people become fluid and the unpredictable reality we have tried to write rewrites itself.
Living Room features long-time collaborator dancer Moran Miller and dancer/choreographer Itamar Seroussi who returns to the stage after being based in Europe. The new creation features original music by cellist and singer Maya Belsitzman who worked with Pinto on the acclaimed production Fugue.
Hights
Inbal Pinto, founder of the renowned Inbal Pinto Dance Company in Israel
A masterpiece, this time only to be staged at SIDC
In 1992, Inbal Pinto founded a dance company in her own name. Over the course of several decades, her works have garnered numerous awards, with Dio-Can and Wrapped standing as iconic milestones in the dance history in Israel, receiving widespread acclaim on a global scale. Inbal Pinto Dance Company, alongside Batsheva Dance Company and Kibbutz Contemporary Dance Company, has cemented its status as one of the three renowned dance companies in Israel.
Starting in 2002, Pinto collaborated with choreographer Avshalom Pollak and established a new dance company.
In 2018, Inbal Pinto departed from the company and continued her journey as an independent artist.
As a versatile artist, Inbal Pinto took on multiple roles in Living Room including choreographer, costume design, and stage design, overseeing all the paintings on the wall, flawlessly encapsulating the essence of the “Inbal aesthetic.”
One table, one chair, a single lamp, and a solitary wall – everything can lead you to a dance.
Two gifted dancers and a living room beckon you to enter the realm of imagination.
What adorns your living room? Tables, chairs, lamps, and walls.
In this work, Inbar Pinto brings to life an ordinary Israeli living room on the stage filled with elements of the bizarre and the dreamlike.
A lone female dancer, facing the wall, becomes increasingly fascinated by her surroundings and the objects within, as if everything were poised to dance with her. She dances with the table, the chair, the wall, and an apparition that shows up in her mind. Through her dance, we immerse ourselves in a world of whimsy and imagination.
Delightfully whimsical, they present genius creativity through their captivating bodily expressions.
Dance with imagination. This is everyone’s “daydream.”
Much like children stepping into Narnia when they open the wardrobe or wizards passing through Platform Nine and Three-Quarters to enter the realm of magic, the mastery of these works lie in their ability to open a window in reality that allows the light of imagination to shine through.
As a maestro of choreography, Inbar Pinto consistently plays with the elements of humor, fantasy, and even childlike wonder. In this work, she has pushed her creativity even further, unveiling the awe-inspiring depths of her mastery within the confines of a modest living room.
At the beginning of the performance, the female dancer teeters on the edge of slumber, blurring the lines between wakefulness and dreams. Throughout the entire show, it feels as if the whole space of theater has crafted a whimsical daydream for each and every member of the audience.
Unveiling the unexpectedness of everyday life
Diving into the connections among people, environments, and objects
Through stage design, props, and lighting effects, a fantastical and dreamlike world is conjured. Audiences witness the transformation of their daily life at home into something with fresh meaning and boundless imagination. Furniture, objects, and spaces take on a vibrant and sentient quality, as if infused with emotions and vitality of their own.
The dancers’ interaction with their surroundings unfolds a nuanced and intricate relationship, prompting audience to reevaluate the details and environments of their everyday life.
Artistic Team
Choreography, Costume, Set Design, Wall Drawing: Inbal Pinto
Israeli choreographer, director, set and costume designer. in 1992 She established the Inbal Pinto Dance Company and was the artistic director until 2018. During these years she created a unique and award-winning dance performances. Her creations have expanded the boundaries of the field and invented world of dance-theater which has become her signature. Several works by Pinto, as Dio-Can, Wrapped, Oyster, Fugue and many more have become over the years, a milestone in the history of Israeli dance and have been highly acclaimed worldwide. In 2002 she began collaborating with Avshalom Pollak, and aside from creating together many dance works, they have choreographed, directed, and designed operas and musicals around the world. Since 2018 Pinto works as an independent artist and recently, she directed together with Amir Kliger and designed the musical play based on Haruki Murakami’s The Wind-Up Bird Chronicle in Tokyo.
Dancer: Moran Muller
Born in 1989 in New Jersey and moved to Israel at the age of 5. Moran studied and trained at the “Dance Village” in Kibbutz Ga’aton then studied at the “Maslool” – Professional Dance Program – Bikurey Ha’Itim, artistically directed by Naomi Perlov and Offir Dagan. Upon graduation she started working with the choreographer Nadav Zelner and performed with him around the world and took part in different projects as a freelance dancer. From 2014 to 2019 she danced at Inbal Pinto and Avshalom Pollak Dance Company. Today she is dancing in “SOL” Dance Company of Eyal Dadon and with Inbal Pinto.
Dancer: Itamar Serussi
He began his career as a professional dancer in various projects by Inbal Pinto, Noa Dar and Anat Danieli. In 1998, he began dancing at the Batsheva Ensemble and in 2000 in the Batsheva Dance Company under the artistic direction of Ohad Naharin. He created as a choreographer for many companies around the world including the Ballet Scapino, Balleto di Roma and other companies in the US, Austria, Denmark, and Germany. Itamar holds an MA in choreography from the Dutch Academy of Art.
Original Music: Maya Belsitzman
Israeli Singer, Cellist, Composer and Arranger. For the last two decades she has been a part of the Israeli music scene and collaborated with a lot of artists in recording, arranging, and producing such as Chava Alberstein, Avishai Cohen (Trumpet), Shlomi Shaban, Ninet, Ehud Banai and many more.
Credits
Choreography, Costume, Set Design, and wWall Drawing: Inbal Pinto
Dancers: Moran Muller, Itamar Serussi
Original Music: Maya Belsizman
Additional Music:
Umitaro Abe / Havanera De La Montagne (Piano Solo)
Franz Schubert / Trio op. 100 – Andante con moto
Mister Bean / The Really Useful Guide to Alcohol – Rowan Atkinson
Bistro Fada – Composed by Stephane Wrembel and arranged by Maya Belsitzman
Lighting Design: Tamar Orr
NOTICE
- Tickets purchasing: Please select your seats online and both e-tickets and printed tickets by mail will be valid.
- Ticket claim: Please get your tickets before the performance date or 90 minutes before the performance and follow our staff’s guidance to keep social distance.
- Entering time: The audience can start to enter the auditorium 60 minutes before the performance starts.
- Validation: Temperature checks are required when entering , please keep your mask on during your time in the theater.
- Please double check the time, prize, seat information on the tickets as there is no refund or change available after the tickets are sold.